Circularity – a concept drawing on principles such as “designing out” waste and ensuring clothing can be remade again and again – is the buzzword at London fashion week .
At Preen by Thornton Bregazzi, the designers Justin Thornton and Thea Bregazzi spliced together clashing rolls of floral fabric “that had been hanging around in the studio, left over from different seasons” and designed one entirely new look. A dress made of mixed leftover fabrics designed by Justin Thornton and Thea Bregazzi for Preen by Thornton Bregazzi, presented at London fashion week. Photograph: Preen The dress, with pink blossom above the waist, multicoloured wildflowers below and two further floral prints on the back – accessorised, for London fashion week, with a space-age black visor edged with a neoprene frill – allowed the duo scope to be creative and offer customers a new look, while reducing their environmental footprint.
But a new documentary warns that circularity may not be an effective strategy for sustainability – as it has been billed in some quarters – when applied to mass-produced clothes, which account for the vast majority of the fashion industry.
“The clothes you see at London fashion week have a good chance of having a decent life,” said Veronica Bates Kassatly, an independent analyst of sustainability claims, at a screening of Fashionscapes: A Circular Economy .
High-cost clothes were more likely to be worn multiple times “and the prices mean that it makes economic sense for shoppers to repair rather than replace,” said Bates Kassatly. She noted that she was recently quoted £45 by a cobbler to fix a pair of worn-out shoes, a price at which many consumers would choose to buy a new pair instead.
The short film shows bales of discarded fashion items arriving by tanker at Kantamanto market in Ghana. While some of the clothing is mended or upcycled, much of it is of too poor quality to reuse, or has been thoughtlessly constructed with embellishments and extra fastenings that render the garments useless.
Clothes sent to Kantamanto are often recorded as having been “recycled”, but 40% leave the market again as landfill. “This is circularity as greenwashing,” says Andrew Morgan, the director of Fashionscapes.
Livia Firth, the sustainability activist hosting the film, said that circularity had “become a marketing tool which allows big brands to put a recycling bin in their store while continuing to use supply chains that wreak havoc on the natural world”. Veronica Bates Kassatly, Livia Firth and Lucy Siegle in debate after the premiere of Fashionscapes: A Circular Economy during London fashion week. Photograph: David M Benett/Dave Benett/Getty Images for Eco-Age The environmental writer and expert Lucy Siegle said: “Circularity is an exciting opportunity, where it is genuine – but it has been hijacked.”
Consumers were being misled, she added. “There is this idea that plastic is infinitely recyclable, and that’s just not the case.”
Alberto Candiani, the owner of Candiani Denim, a small Milan-based brand that produces the world’s first biodegradable jeans, believes that while the catwalk fashion for upcycling […]